
Fountain of Youth
Using imageblender, I was able to get that light an open look.
The rectangular panel was done with PicJointer and helped simplify the image.
Of course i'm partial to the red rectangle!








SACRED GEOMETRY: An Introductiontheantidote:
What is meant by “sacred geometry”? Well, in its simplest terms it is the geometry which underlays all creation. There are repeating geometric forms which can be seen in all existence from the atomic to the cosmic. They range from the simple and familiar such as circles, squares, triangles, spheres, cubes to the more complex such as hexagons, pentagons, spirals, toroids, fractals, helix to fourth dimensional forms such as the hypercube and the hypersphere. These forms make up all of our visual reality and their repetition and their combinations speak to the nature of reality and the underlying symmetry and order of the universe which may be at first indiscernible to the naked eye.
Once we have learned to recognize these forms and to understand a bit about the mathematical relationship between them a whole new world dawns for us. You’ll recognize these patterns everywhere. You will see them in the arrangement of atoms within a crystal. In the forms of the virus and cell. In flowers, seeds and leaves. In the structure of an insects eye. You will see them in the cream in your coffee and in the shape of geological structures on the broad face of the Earth. You will see them in clouds and weather patterns. You will see them in the structure of planets, their orbits in galaxies and in the fourth dimensional shape of the universe itself.
The shapes are a language. They speak of relationships and patterns and those patterns are meaningful no matter what the scale. The spiral in your coffee cup has the same relationship as the spiral of the galaxy. You see these patterns are not “things” as we are accustomed to think of things that exist in our three dimensional realm. A baseball is a “thing” it approximates a sphere but it is not a sphere. A sphere is an ideal that exists independently of the crude world of our perception. However, because a baseball approximates a sphere we can use what we know of the ideal of a sphere to predict how a baseball will act in three dimensional space and in the fourth dimension of time. This is the world of ideals and their relationship to the outward world of forms.
☯ Samsaran ॐ
Read More About Sacred Geometry Here
“To understand is to perceive patterns.”
— Isaiah Berlin
“The mathematician’s patterns, like the painter’s or the poet’s must be beautiful; the ideas like the colours or the words, must fit together in a harmonious way. Beauty is the first test: there is no permanent place in the world for ugly mathematics.”
— G. H. Hardy
(via samsaranmusing:)






Spotted today at Photokina: Hasselblad’s new Lunar mirrorless camera!
Hasselblad was the first camera to go to the moon, so they brought a little bit of that back with this retro-looking ditty.
Performance-wise, it has a 24.3MP sensor, shoots up to 16K ISO, HD video, and has a swiveling 3” screen. Some have pointed out it’s the same build as a Sony NEX-7, but what especially stands out is it’s $6,000 price tag.
Spotted at Photokina: Hasselblad’s New Lunar Mirrorless Camera






Abelardo Morell - Camera Obscura (2007-10)
Artist’s statement:
“I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This allows an inverted image of the view outside to flood onto the walls of the room. I would focus my large-format camera on the incoming image on the wall and expose the film. In the beginning, exposures took five to ten hours.
Over time, this project has taken me from my living room to all sorts of interiors around the world. One of the satisfactions I get from making this imagery comes from my seeing the weird and yet natural marriage of the inside and outside.”








Daniel Palacios - Waves (2006-7)
Artist’s explanation:
“A long piece of rope represents a series of 3D waves floating in space, as well as producing sounds from the physical action of its movement: the rope which creates the volume also creates the sound by cutting through the air, making up a single element.
Depending on how we may act in front of it, according to the number of observers and their movements, it will pass from a steady line without sound to chaotic shapes and irregular sounds (the more movement there is around the installation) through the different phases of sinusoidal waves and harmonic sounds. This kind of action-reaction influence applied to sound and space are the basis of this installation.”




Click to enlarge
